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Jennifer Bonner / MALL



Work

Sixteen Projects

  1. HAUS GABLES

  2. THE DOLLHAUS

  3. DOMESTIC HATS

  4. BLANK HOUSE

  5. 4 OVER NONE

  6. HAUS SCALLOP, HAUS SAWTOOTH

  7. BEST SANDWICHES

  8. OFFICE STACK

  9. ANOTHER AXON

  10. X HOUSES
     

  11. STILL LIFE

  12. GLITTERY FAUX

  13. LEAN-TO ADU

  14. BIG CIRCLE ADU

  15. MADE IN OPA LOCKA

  16. CEDAR PAVILION

NEWS // LATEST
Publications
Four Projects

  2. ART PAPERS

  3. A GUIDE TO THE DIRTY SOUTH—ATLANTA

  4. PLATFORM: STILL LIFE



MALL —
Info
  1. Business Matters 
  • MALL stands for Mass Architectural Loopty Loops. Or Miniature Angles & Little Lines. Or Maximum Arches with Limited Liability—an acronym with built-in flexibility.
  • MALL uses the acronym, not to be quick or flippant, but because our architectural interests shift for each project. 
  • MALL is committed to projects that hack typologies, take creative risks, reference popular culture, and invent representation.
2. Background
  • Born in Alabama (b. 1979), Jennifer spent the first thirteen years of practice teaching at Harvard GSD, Georgia Tech, and Woodbury University. 
Mark

Info   Instagram



GLITTERY FAUX

Steeped in a tradition found in the American South, Glittery Faux-Facade experiments with faux-finishes as a way of cladding exterior and interior surfaces for a single family residence in Atlanta. Exhibited for the Yve Yang Gallery, a series of 1:1 mock-ups place emphasis on architecture’s most ordinary, ubiquitous exterior building material—stucco. Rather than using real bricks and wood siding for the house’s construction, MALL pushes the limits of architectural representation by designing a series of fake surfaces where the stucco is made to appear “brick-like” or “wood-like” at the scale of a 55’ long elevation. Inspired by Mary Corse’s White Light Paintings (1968) and combined with yet another ordinary material (glass beads specified from the United States Department of Transportation road striping) the faux-façade series produces glowing, glittery, shimmering effects.  

Location: Boston, MA
Date: 2017
Type: Research
CREDITS Project Team: Alex Timmer





  

































Mark

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